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Arranged by:
Transcriptions: Works by other composers that have been transcribed for specific instruments
Original Works: Frequently hymn based, these works are for use in service, special occassion, or concert presentation.
NOTE: All choir selections are also listed on the Choir page in this library.
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The copyright symbol; ©, indicates the selection is under copyright protection.
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A note about style: TheMasterWorks catalog does not include music in the jazz or rock idioms.
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Transcriptions
Original Works
Title or name |
Instrumentation |
Difficulty/Description |
Length |
$ |
Prefix |
Cat # |
Breathe on Me Breath of God |
Solo Violin, Solo Cello, Piano |
Contempletve, composed to give time for congregational reflection following a sermon. |
3 min. |
$20 |
saSTkp23 |
B00004 |
Christmas Medley |
Orchestra |
Bright and celebratory, this medley is comprised of three hymn settings for congregation: Angels We Have Heard, How Great Our Joy, O Come All Ye Faithful. Used as Postlude following an Advent presentation. |
2'30" |
$40 |
saORkbF3 |
C00018 |
Christmas Prelude |
3 tpt, 3 bone, tuba, pno, org |
Based on Hark the Herald Angels Sing and Angels We Have Hearde on High. |
3 min. |
$20 |
saBRkb73 |
C00013 |
Come Thou Long Expected Jesus |
Fl/Picc, 2 Cl, vln, vc |
Diff: 4+. Cl pts both difficult. VC diff: 3. Variations build into a rousing dance. includes changing meters and tempos. |
3'12" |
$30 |
saMIna54 |
C00014 |
Deep Within |
Solo tuba, Solo Piano |
Reverse variations on "My Faith Looks Up to Thee". Begins dissonant in eb min. Mixed meters. Both harmonic and rhythmic dissonance resolves with ea. var as "faith" is restored. |
4'45" |
$20 |
saBRkp15 |
D00002 |
Dialogues in the Shadows |
Orchestra |
Soloists (fl, cl, sx, tpt, bone, tuba, pno, org, vln, vc) "speak out" phrases from hymns assoc.w/Good Friday to create "dialogues". Musical aspect is more difficult than technical. Composed to open a Tenebrae Service. |
4'25" |
$35 |
saORkbF4 |
D00003 |
Emmanuel Come |
Picc(recorder), Oboe, BassCl(bsn), Drone(org) |
Expository solos interweave snippets from O Come, O Come, I Wonder as I Wander, & Infant Holy. Composed to be played in a dim-lit sanctuary on Christmas Eve. |
2'35" |
$25 |
saWWko34 |
E00003 |
Fanfare on Ein' Feste Burg |
Picc. Tpt, org. |
Fanfare on phrases from chorale with organ interjections w/ parallel chordal motives. Composed as an introduction to the hymn. Usable for congregational singing if instruments are amplified or the group is small. |
1 min |
$10 |
saBRko14 |
E00001 |
Fearful Fanfare |
4 tpt, 3 bones, pno, org |
Written to be played in the balcony (out of sight). Begins dissonant, resolving to brilliant. Composed to prepare the Scripture "And suddenly there appeared to them..." (Luke 2:13) |
30 sec. |
$20 |
saBRkb73 |
F00002 |
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Give Thanks ©, a setting |
Fl, cl, A.Sx, Flug (tpt), vln, pno |
A graceful setting of "Give Thanks". All instruments have a solo role throughout. |
2'40" |
$25 |
saMIkp53 |
G00005 |
In Thee We Rejoice! |
Orchestra |
Celebratory. Opens with a rustic setting of "In Thee is Gladness" moves to "Good Christians All Rejoice!". Snippets of both melodies become the counterpoint for "What Child is This". |
4 min |
$50 |
saORkbF4 |
I00009 |
Infant Joy |
String Quartet (2 vln, vla, vc) |
Based on "Infant Holy" and "How Great our Joy". Composed for a student string quartet in elementary school. |
2'15" |
$15 |
saSTna42 |
I00008 |
Meditation on Emmanuel © |
Cl, Sop.Sax, Flug (tpt) |
Thoughtful and meditative. Based on the tune: Emmanuel, which is elongated at the beginning, revealing itself by the final phrase. Composed for a contempletive Christmas eve candelight service. |
3'30" |
$15 |
saMIko33 |
M00006 |
Overture: Soldiers of Christ Arise |
Orchestra, pno |
A jubilant setting on Diademata (usable for Resurrection Sunday), in ABA form. The B section merges back and forth with Holy, Holy, Holy (Nicaea), ends triumphantly. |
4 min |
$50 |
saORkpF4 |
O00010 |
Resurrection Day Overture |
2 tpt, 2 bone, tuba, timp, org |
Composed for Resurrection Sunday. Begins soft with expectation and builds to "Great Is the Lord", moves through "Hail the Day that Sees Him Rise" and builds again to explode into "Christ the Lord is Risen Today." |
3'15" |
$30 |
saMIko64 |
R00004 |
Spirit Medley for Piano 4-hands |
column two info |
Based on Spirit of God, Descend Upon My Heart and Spirit of the Living God. Rustic with rhythmic ostinatos in the bass. Strong and powerful, yet solemn and mysterious. Twos against threes between the players. |
3'20" |
$15 |
saKPna23 |
S00009 |
Tenebrae |
Orchestra |
What does sin sound like? This was the driving impulse - to depict in sound why Jesus had to die. Composed for the opening of a Tenebrae Service on Good Friday. Intense whispers build to a powerful dissonance through the tune: O the Deep, Deep Love of Jesus (Ebenezer). A second climax melts into an elongate version of O Sacred Head Now Wounded as motives wash down with growing intensity underneath There is a Redeemer. Peaking at the final climax, a codetta quietly closes the work in a somber, silent tone. |
5'30" |
$65 |
saORkbF5 |
T00008 |
Variant: Of the Father's Love Begotten |
Orchestra, choir, handbells, tape |
Aleatoric opening (Genesis), the orchestra surrounds the congregation. Snippets from the chant move around the congregation and build to the offstage choir singing stanza II. The orchestra, now in place, imitate the call and response from the Jewish service (OT Covenants), solo organ begins the fugue on the chant, joined by the orchestra and choir (now in place). |
5 min |
$80 |
saORkbF5 |
V00001 |
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