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A note about style: TheMasterWorks catalog does not include music in the jazz or rock idioms.
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Hymns for Congregational Singing
Title |
Description by Stanza |
Stanzas; Keys; Diff Level |
$ |
Prefix |
Cat # |
Christ the Lord is Risen Today |
Orch. Intro builds harmonically to 1: full w/ fanfare-like motives; 2: exuberant, dance-like, joyous; 3: intrumental colors support harm by Hal Hobson; 4: Celebratory, jubilant. |
4 stanzas; C; 4 |
$45 |
hyORkoF4 |
C00002 |
Christ the Lord is Risen Today |
Orch. Intro builds harmonically to 1: full w/ fanfare-like motives; 2: exuberant, dance-like, joyous; 3: intrumental colors support harm by Hal Hobson; 4: Celebratory, jubilant. |
4 stanzas; C; 4 |
$45 |
hyORkoF4 |
C00002 |
Christ the Lord is Risen Today |
2 Tpt descant. 1: melody divided between tpts; 2: marked by imitative, antiphonal motives; 3: tacet; 4: motives from stanza 2 are elaborated, building strength and intensity to end. |
4 stanzas; C; 4 |
$8 |
hyBRko24 |
C00003 |
Fairest Lord Jesus |
Orch. Intro: violin solo introduces rippling effect; 1: meditative; 2: phrases build to powerful cadences; 3: antiphonal motives, scalar passages build through the stanza and interlude to 4: Return of rippling effect, ending pensively, thoughtful w/ "A-men" cadence. |
4 stanzas; Eb; 3 |
$45 |
hyORkbF3 |
F00001 |
More Love to Thee |
Orch. Reflective overall. Intro: intimate, with solo instr.; 1: solid but subdued; trans/modulation: subdued; 2: warm, ornamented ctr mel. Opt ending after 2; 3: to be sung w/ only light organ accompaniment. |
2 stanzas; Ab, G; 3 |
$45 |
hyORkbF3 |
M00003 |
My Jesus, I Love Thee |
Orch. Meditative. Intimate into beginning with solo fl; 1: solid, stately; 2: rising motives create forward motives, moving to a climax where a "weeping" melodic line, falls bit by bit and brings the stanza to a close. |
2 stanzas; F; 2 |
$45 |
hyORkbF2 |
M00004 |
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My Jesus, I Love Thee |
Orch. Meditative. Intimate into beginning with solo fl; 1: solid, stately; ;unobtrusive modulation; 2: rising motives create forward motives, moving to a climax where a "weeping" melodic line, falls bit by bit and brings the stanza to a close. |
2 stanzas; F, G; 2 |
$45 |
hyORkbF2 |
M00005 |
O Sacred Head Now Wounded |
Orch. Intro: dark, somber; 1: alto and tenor instruments, solemn; 2: stark, upper instruments, pensive; 3: full instrumentation but dark, solemn. |
3 stanzas; c min; 2 |
$45 |
hyORkbF2 |
O00008 |
Soldiers of Christ Arise (Easter Hymn)
| Tpt descant. 1: melody; 2: stately ctr melody; 4: tacet; 5: solid fanfare lines rising to final cadence. |
4 stanzas (1,3,4,5); D; 2 |
$20 |
hyBRko12 |
S00005 |
Thine is the Glory |
Orch. Intro: short, leading directly to 1: strong, bright, festive; 2: gentl but firm, growing through the refrain to 3: exuberant, triumphant. Optional "A-men" codetta. |
3 stanzas; Eb; 3 |
$45 |
hyORkbF3 |
T00001 |
Thou Art Worthy © |
Orch. Intro: gentle. Begins simple gradually becoming exultative before returning to the opening simplicity. |
1 stanza; Bb; 2 |
$45 |
hyORkbF2 |
T00002 |
To God Be the Glory |
Orch. Intro: brilliant; 1: strong, straight forward, the refrain is celebratory; 2: begins sweet and grows stronger with each phrase to the refrain which brings a powerful close. |
2 stanzas (1,3); G; 3 |
$45 |
hyORkbF3 |
T00003 |
Were You There? |
Orch. Intro: offstage trumpet call; 1 & 2: intimate, personal and somber/sobering. |
2 stanzas; Eb; 3 |
$45 |
hyORkbF3 |
W00003 |
What Wondrous Love is This? |
Orch. This arrangement is somber, deep in tone. Each stanza builds to higher degree of intensity. Key words are highlighted in the orchestration. The coda brings the tone down to the opening deep richness. This arrangement is difficult but worthy of the time. |
3 stanzas; d dorian; 4 |
$45 |
hyORkbF4 |
W00006 |
When I Survey the Wondrous Cross |
Orch. Intro is deeply personal and private; 1: longing, heavy; 2: dark, lower brass; 3: stark, higher timbres, a long, wanton ctr mel builds to falling scales (tears); 4: quiet, contempletive, simple. |
4 stanzas; F; 2+ |
$45 |
hyORkbF2 |
W00007 |
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